E itt a kert #flowers #colors #spring #iphoneography  (Taken with instagram)

E itt a kert #flowers #colors #spring #iphoneography (Taken with instagram)

bonnie800905:

hulla:

Színek

a két bal oldali oszlopon kívül a többi nálam mindig a szekrényben maradna.

bonnie800905:

hulla:

Színek

a két bal oldali oszlopon kívül a többi nálam mindig a szekrényben maradna.

Glass #colors #iphoneography  (Taken with Instagram at Velence Resort & Spa)

Glass #colors #iphoneography (Taken with Instagram at Velence Resort & Spa)

#light #colors #church #barcelona #iphoneography  (Taken with Instagram at Sagrada Familia)

#light #colors #church #barcelona #iphoneography (Taken with Instagram at Sagrada Familia)

carmonday:

Paul Smith - Mini dans la ville
MINI Cooper

carmonday:

Paul Smith - Mini dans la ville

MINI Cooper

(via slicks-and-wings)

zsakblog:

ezt szeretemmmmmmm

zsakblog:

ezt szeretemmmmmmm

frijole:

Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker. Then the volume is turned up. For each image, Klimas selects music — typically something dynamic and percussive, like Karlheinz Stockhausen, Miles Davis or Kraftwerk — and the vibration of the speaker sends the paint aloft in patterns that reveal themselves through the lens of his Hasselblad. Klimas rose to prominence in the art world four years ago for a series of photos that captured porcelain figurines just as they shattered. For this series, Klimas spent six months and about 1,000 shots to produce the final images from his studio in Düsseldorf, Germany. In addition to the obvious debt owed to abstract expressionism, Klimas says his major influence was Hans Jenny, the father of cymatics, the study of wave phenomena. The resulting images are Klimas’s attempt to answer the question “What does music look like?”